Ideas in Search of Light (1938)
Overview
Black-and-white abstract animated short of light, shadows, and reflections by The Dodals (Karel Dodal (1900-1986) in collaboration with his wife, Irena Dodalová).
Production Companies
Additional Info
| Budget | $0.00 |
|---|---|
| Revenue | $0.00 |
| Original Language | en |
| Popularity | 0.333 |
Directed By
Karel Dodal
Irena Dodalová
Crew
Karel Dodal
Irena Dodalová
Karel Dodal
Irena Dodalová
Karel Dodal
Hermína Týrlová
Irena Dodalová
Bedřich Kerten
TOP CAST
Similar Movies
Clandestine
A short film released alongside AFI's 2003 album Sing The Sorrow. The four members of AFI search to obtain a mysterious box that bears a resemblance to the album's artwork. There are two separate soundtracks for the film, one composed by AFI guitarist Jade Puget, and one composed by AFI bassist Hunter Burgan.
No. 11: Mirror Animations
Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.
Spin
An interactive flash animation from Dutch digital artist Han Hoogerbrugge.
Woman Is My Last Name
This visual poetry is a celebration of the full spectrum of womanhood, from the complex vulnerability to the hidden power.
Head
In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.
The Last Zero
Animation short by Alina Maliszewska.
Before Before
This animation can be watched in 2D or using Chromadepth Glasses in 3D.
Gassy's Gas n Stuff: Lotto
After Billy finds a winning scratch ticket, the gas station gets a new lottery machine that becomes the talk of the town. Part of [adult swim] smalls and second Gassy's Gas n Stuff short
Copycat Killer
A visualizer for Phoebe Bridgers' Copycat Killer EP, featuring four songs originally released on the Grammy-nominated album Punisher, with new orchestral instrumentation and arrangements by Rob Moose.
Newspaper
Abstract animation by Satoh Yoshinao
Bloodlust
An attempt to constitute a human / machine dialogue. It shows the filmmaker’s blood as seen / heard with the eyes / ears of the machine which is a film projector with optical sound. He affixed his blood onto clear film leader by cutting into the flesh and then pressing the film leader onto the wound. Additionally he had blood taken with a syringe and afterwards dripped it on the film leader. fresh and clotted blood was used.
Oh! What a Lovely War
The working-class Smiths change their initially sunny views on World War I after the three boys of the family witness the harsh reality of trench warfare.
Sökandet efter Jag
Abstract animation
Wet Paint
[The] Insinuation of accidentally spilled ink that would be running across the paper in random, aleatory oozes displaces the graceful liquidity of the careful animated choreography. - William Moritz
The Little Flying Fish Gets Sick
The peaceful passage of daily life in the Pacific Ocean is upended in a flash on March 1, 1954, with the first American nuclear test at Bikini Atoll. The far-reaching fallout forever changes the lives of the ocean’s cheerful inhabitants.
Flow
Flash projection from dutch visual artist Han Hoggerbrugge
Enigma: Nazo
Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.
Dragonfly
An abstract animation with a motif of a dragonfly, and a complex multi-exposure landscape of a field and a woman's naked body overlap.
Not Even Nothing Can Be Free of Ghosts
Rainer Kohlberger’s abstract film was created entirely without a camera. Through digital algorithms, he precisely arranged a rhythm of light and shadow that pulsates off the screen into our physical space with blinding intensity. The presence of light is almost felt as we are sucked into the image to become its ghostly accomplice. As we leave the theatre, the optical vibrations continue to haunt us.
Barcode III.0
A unique journey across a topography created entirely from a form of digital light and shadow—a bristling terrain of poles bending the light in every direction. This film is the remake of Barcode, an abstract road-movie about light and shadows.